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**** NEWS FLASHES ****
DEAD GIRL WALKING featured on the
Island Free Press and see press and 10-min trailer at
The Gazz online gazette.
COYOTE featured in major motion picture and
Soundtrack by Warner Bros !
Nicholas Sparks' new movie
"Nights In Rodanthe"
starring Richard Gere and Diane Lane
opened on September 26, 2008....
and COYOTE, among other Outer Banks musicians, are featured in the
film!
And we made the movie
soundtrack too! We are in company with
Emmylou Harris,
Count Bassie, Dinah Washington, The Dillards ... wow. What an
adventure!
Also opening in September ...
"Dead Girl Walking" - the documentary film by Ray Schmitt
of Real
Earth Productions
(Marcy Brenner as the subject) will be screened publicly
on Ocracoke Island at Deepwater Theater!
Friday, September 12th at 7:30pm
No Charge, 36 minutes in length, refreshments served
order copy of film
Watch the 10 minute trailer just out on youtube.com:
Dead Girl Walking documentary by Ray Schmitt
WINNER at
Breast Fest Film Festival -- "Dead Girl Walking" wins the
Amazing
Grace award and a sweet screening spot in the Festival, November
2008; here are Ray and Marcy in Toronto accepting the award

New from COYOTE:
The House Concert!
For information, visit
Concerts In Your Home
Click here to view a
house concert informational video online
Please arrow
down for latest reviews and press:
Announcing the release of COYOTE’s
“Another Year Blooms”
This jazzy new CD entitled “Another Year Blooms” is the latest
from Ocracoke’s own COYOTE, hometown songwriters Marcy Brenner
and Lou Castro.
This married couple have an engaging and spontaneous presence,
bringing listeners and audiences “into their living room” with
enchanting, intimate songs and a pleasing variety of acoustic
instruments, all tinged with folk, rock, blues and jazz flavors.
“Another Year Blooms (is) delightfully unpredictable, and worthy
of repeated listening.”
Kati Wharton, Ocracoke Observer, June 2007
COYOTE has also released “Home To Me” (the first publication of
their songs) and “Live from the Outer Banks” (a collection from
their first year onstage) to glowing reviews for both their
performances and their songs, which all have reached the top 10
in peer reviews.
“(Home To Me is) a song of joy in response to a range of trials
and triumphs.”
Charles Temple, Ocracoke Observer, June 2005
“The real draw of the band, though, is the tenderness that Marcy
and Lou evince on stage, both for the music they’re playing and
for each other.”
Charles Temple, review of “Live from the Outer Banks”, Ocracoke
Observer, July 2003
During the summer season COYOTE perform at the Deepwater Theater
in their own show with singer/songwriter Noah Paley entitled
“Songs & The Stories Behind the Music” and appear regularly in
the Ocrafolk Opry. They perform annually at the Ocrafolk Music &
Storytelling Festival the first full weekend of June. They have
appeared at the Core Sound Decoy Festival, Beaufort Seafood
Festival, Pittsburgh’s Folk Music Society Calliope Series,
Frisco Jubilee, Manteo’s Carolista Festival and more. They
appear on many coastal NC musical projects and hope to feature
as musicians in a scene in Nicholas Sparks’ new movie entitled
“Nights In Rodanthe" due out in June 2008.
“Another Year Blooms” is independently recorded, produced and
published by COYOTE® (MRB Publishing LLC). Their music is
available at The Music Store at mp6 in Kitty Hawk, many Ocracoke
Island shops, www.soundsiderecords.com and www.amazon.com.
Digital downloads of songs and albums are available at
www.efolkmusic.org. Soon, COYOTE’s music will be available on
iTunes.
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Review of new
release "Another Year Blooms"
Ocracoke Observer, June 2007
by Kati Wharton
I don’t know how other people would go about preparing to write
a CD review, but what I do is listen to the CD over and over,
and then over and over again, and then...well, you get the
idea. If I actually reviewed CDs for a living, and therefore
had to listen to some bad ones, this strategy would probably
cause insanity (my own, and that of the people in my immediate
surroundings who have to listen along with me). Instead of
being driven mad, however, I have been extraordinarily blessed
by repeated listening to all of the CDs I have reviewed so far.
That was (and still is) especially true of Another Year
Blooms, the new release by Coyote, the singer/songwriter
team of Marcy Brenner and Lou Castro, who have been playing
together since 2001 and were married in 2003. The CD showcases
Marcy and Lou’s remarkable range of talent for the entire
musical process – from composition and songwriting to playing
multiple instruments, singing music of varied styles, and even
to recording (Lou engineered the CD).
Ten of the
twelve tracks on Another Year Blooms are original songs
by Coyote, whose songwriting is highly respected by other
musicians (all of the original songs on their last release,
Home to Me, reached the Top 10 in broadjam.com peer
reviews). As Another Year Blooms shows, Marcy and Lou
find inspiration for their songwriting from all aspects of their
lives. The hauntingly lovely title track is about and for
Marcy’s mother, who loved daffodils. My personal favorite tune,
“Richest Man in the World”, Coyote’s “love song to Ocracoke
Island”, was inspired by a statement a friend made, and the next
track “Five Minutes” came from what Lou said to Marcy while they
were falling in love. “Fizzy Blue Water” has a highly unique
source of inspiration, a modeling photograph from the 1940s, and
also boasts one example of the lovely poetry of Coyote lyrics,
the phrase “even then a bottle could be a haunting shade of
blue”.
What makes
this CD wonderful is not, however, limited to the lyrics. It
also includes an excellent instrumental piece (“Summer Sleeping
Porch”) which shows off Coyote’s talents on the dobro and
guitar. Several of the tracks include their well-blended
harmonies, and all of them offer examples of their wide range of
skills on various instruments, including several types of
guitars, mandolin, banjolin, piano and lap steel.
Coyote is
not limited to one style, evidenced by the wide variety of the
songs on this CD, from the ballad-like “Making Peace Tonight”,
to the rocking “I’m All Right” to the zydeco “Down the Driveway
Home”. Instead, Marcy and Lou bring their own style to every
track. This makes Another Year Blooms delightfully
unpredictable, and worthy of repeated listening. I especially
like the cynical, jaded “Everyone Starts Out in Love”, which is
far from your average overdone sweet love song; its sudden
ending is a perfect fit with the lyrics that say “this could all
end before it’s begun, but I’ll worry about our future
tomorrow”. Even the covers (“The Storms are on the Ocean” by
the Carter Family, and “At Last”, made famous by Etta James)
demonstrate Coyote’s style, as they perform them in a way that
is uniquely their own, while not straying far from the original
feel of the songs.
Another
Year Blooms will be available June 1st in island
shops, and online from soundsiderecords.com,
amazon.com, and efolkmusic.org. Get a copy and
listen to it - multiple times! (Try it at least once wearing
headphones, as the left/right stereo effect adds to the
experience.) If you want to hear more of Coyote, take in one of
their performances on the island (see schedule below), and look
for them in the movie Nights in Rodanthe, filming now on
the Outer Banks and due for release in 2008.
Coyote
performing schedule for 2007 season
-
Tuesdays and Sundays at the Jolly Roger with Martin
Garrish & Friends
-
Wednesdays at Deepwater Theater with the Ocrafolk Opry
-
Thursdays Lou appears with Molasses Creek at Deepwater
-
Fridays at Deepwater Theater, a new show featuring Coyote
and Noah Paley
-
Some Saturdays at Mango Loco with Martin Garrish &
Friends
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Coyote's
'Home to Me' sounds good to me
BY
PETER HUMMERS, SENTINEL STAFF
The latest compact disc from the
Ocracoke-based acoustic duo Coyote opens with the feel of a
French -- or Belgian -- coffeehouse. A bow is bounced a few
times on a violin, joined by a quiet bass and a few chords
on an accordion in the moderato "Maestro."
In a cafe on Picasso Street/Drinking memories warm and
sweet/I spend an afternoon with maestro
guitarist Lou Castro backs up mandolinist Marcy Brenner's
cosmopolitan vocal with chords on the 2-4 beats, while
guests David Tweedie, Emily DeVan and Nemesia Castro ply
violin, cello and accordion respectively.
Brenner provides an introduction and fills on her mandolin
on this original that features some tasteful compositional
tweaks such as a chord-long key change effected by switching
a minor chord to a major, and a few bars in 2/2 rather than
4/4 time.
The cumulative effect is a rich listening experience, a tale
of a private muse who has done his job well.
Coyote is a hard-working duo who have made their bones
working around the Outer Banks, playing events such as the
Ocrafolk Opry, the Ocrafolk Music & Storytelling Festival,
Dare County Relay for Life, area restaurants, Kitty Hawk
Heritage Day, Music Across the Sound and private events.
Their first CD, Live from the Outer Banks, surveyed the
cover tunes they cut their teeth on, all given the fresh
arrangements of a band that consists, live, of mainly a
guitar and a mandolin.
On Home to Me the focus is on songwriting and ensemble
arrangements. Marcy Brenner and Lou Castro penned most of
the compositions; the arrangements take advantage of guest
musicians Nemesia Castro, accordion; Emily DeVan, cello;
Martin Garrish, acoustic guitar; Dan Martier, drums and
percussion; Kevin Hardy, upright bass; Kitty and Gary
Mitchell, vocals; and Fiddler David Tweedie, violin.
The Mitchells and Fiddler Dave are with the
popular Ocracoke bluegrass band Molasses Creek.
While the pool of talent for this record is deep, the
arrangements are spare and tasteful. Not all guests play all
the time; on the second cut, "Home to Me," Brenner and
Castro are deceptively joined only by Dan Martier.
This starts out with Brenner singing to her mandolin
accompaniment, and joined gradually by Martier's drums.
After the first verse, Castro's bass and the drums settle
into a groove and Castro's double-tracked acoustic guitar
joins the bass. Brenner overdubs backing vocals at the
chorus, and by the solo, Castro has added an electric slide
guitar.
The change from a girl and her mandolin to a rock band has
happened organically, and the three-person, six-piece band
rocks into a fade-out.
One of the few covers on this record is the sublime "I'm So
Lonesome I Could Cry," from the great Hank Williams. Martin
Garrish opens with a clean 3/4 time acoustic guitar figure,
joined by Brenner's mandolin and voice. Soon in the
background can be heard Castro on lap steel guitar and quiet
bass. Castro's stately lap-steel solo on this primal country
song is an authentic-sounding joy.
Garrish takes a pretty, tasteful second solo on guitar, and
Brenner adds no more vocal embellishment than the song can
use.
"Scorpio" has a saucy vocal a la Maria Muldaur, accompanied
by an eccentric combination of Brenner's acoustic guitar and
Castro's dobro and bass, in an allegorical -- or literal --
song about a past life.
"Follow Me" is credited to the "Duck United Methodist Church
Disciple I Class of 2003 & Brenner/Castro." (For non-locals,
Duck is the town on the Outer Banks, not the bird or the
verb.)
Follow Me/I know and I love you/Follow Me/I
give my life for you/Follow Me
"Follow Me" is a flat statement of faith in
Christ, the "Great Shepherd." With a dignified backing and a
lovely melody, the song will resonate not only with those
who already "know His voice" (John 10:3-4).
Molasses Creek's Mitchells add their vocals to the choir on
this beautiful number.
The Rock critic Richard Meltzer had a term for a pair of
songs that complement each other -- "turkey tongue" (well,
it was the sixties). The upbeat, syncopated "Hurricane,
Flood, Tornado," completes the turkey tongue of "Follow Me."
Hurricane Isabel produced that sequence of events on
Ocracoke Island in 2003. (A house moved, if I recall
correctly.)
The wind and the waves/Will do what they do/I
won't make it through the storms/Without you/Hurricane,
Flood, Tornado
Coyote loves music, and they love the tools
they use.
"Penny For Your Thoughts" is a case in point. Composed by
English rocker Peter Frampton, it's a little acoustic
guitar/dobro instrumental making good use of harmonics and
the sparkling interplay of perfectly tuned steel strings.
You can hear rain softly falling outside.
Again, "Penny" leads nicely into a quiet acoustic
arrangement of Greg Allman's "Come and Go Blues," originally
recorded by the Allman Brothers as a full electric blues in
the early seventies. Later Greg Allman released a live solo
version, accompanying himself on acoustic guitar, and
Coyote's version threads the needle between the two.
Brenner sings over her own simple dobro accompaniment,
joined presently by Castro's bass, to which Brenner
doubletracks bongo drums, and what sounds like a pick drawn
across muffled guitar strings as percussion.
The penultimate song is the beautiful "Beautiful Sorrow of
Love," which Brenner and Castro multitracked with Dan
Martier's help on drums. It uses a fine climbing chord
progression and great electric lead guitar work from Castro,
and leads into a bare mandolin/guitar reprise of "Home to
Me."
This is the arrangement the pair use in live performance; as
they've demonstrated, everything can sound good in the right
four hands. Here is a CD that should be heard by anyone
interested in native Outer Banks music; one that asserts
that the Banks' musicians can easily hold their own.
Note Coyote; their future should suggest they put on their
shades.
This is the dream we're lucky to be living/A
portion of grace we've both been given/There's no telling
the future with some kind of magic/Not to live while
alive/Well, that would be tragic.
Coyote CD COY02 ©2005 MRB Publishing LLC
Peter
Hummers covers entertainment
events on, and about, the Outer Banks of North Carolina at
Outer Banks Onstage. ©2005 Peter Hummers
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Tuesday, August
23, 2005
COYOTE at the Whalehead Club
by Peter Summers of the Outer Banks Sentinel

The acoustic musical duo from
Ocracoke known as COYOTE
performed a set on the porch of the
Whalehead Club
Thursday evening.
The lowering sun hung above puffy clouds over the Currituck
Sound on which some kayakers glided as crickets chirped. Its
rays spread a pinkish glow on the pale yellow club building as
the oblique shadows turned blue.
The stately building sat atop a green field where people
gathered carrying blankets and folding chairs. Some walked over
from the parking lot, and some were conveyed by golf carts that
were shuttling back and forth.
A fine breeze came off the still pool between the club and the
sound, carrying a few tame mosquitoes past the gathering.
On the porch Marcy Brenner and Lou Castro adjusted and tuned the
tools of their craft. The various wood hues of their collected
guitars, mandolins, basses and the like nicely complemented the
deep red and off-white trim of the spotless club.
Brenner wore a colorful cotton smock over a black shift; Castro
a turquoise-and-red Hawaiian-style shirt. They asked for some
feedback from the gathering audience as they adjusted their
volume levels -- thumbs-up if the sound was too faint,
thumbs-down if too loud, or an "okay" sign.
The pair was then introduced by Edna Baden, the Executive
Director of the club, as part of its
Summer Concert Series; this evening was sponsored by
landscapers Corolla
Companies LLC.
After Brenner stepped off the porch a few paces to switch on a
small digital recorder, she rejoined Castro who held an acoustic
guitar at the ready.
"Let's play some music for the people."
Coyote
playsa combination
of their own compositions, mixed with compositions from other
acoustic types (Gillian Welch, Joni Mitchell). They are not
above pleasing disparate listeners with their own arrangements
from writers and groups who rarely made music without gigantic
amplifyers, such as Jimi Hendrix or Led Zeppelin.
For tonight's easygoing set they focused on their own and
others' songs more suited to the drawing room ... or front
porch.
Their first was "Maestro" -- "He's a grinning coyote." Brenner
strummed a two-four beat on her mandolin as she sang, and a few
leads to Castro's guitar. "Maestro" had a loping, moderato tempo
and Brenner's voice was clear and sure.
Elvis Costello's lovely "Scarlet Tide," from the
Cold Mountain
soundtrack, sounded an authentic note, with a dobro
accompaniment and a nice harmony vocal from Castro.
"Lighthouse," from a couple of "Ozzie girls," (The
WaiFFs) was just as right in the northern hemisphere, in
sight of the great brick Currituck Beach Lighthouse across the
road.
There were a few new songs written this winter, including
"Beautiful Sorrow of Love." Brenner on acoustic-electric guitar
and Castro on electric fretless bass produced a full, melancholy
sound ... Castro played some leads and a solo on his bass.
Joni Mitchell's great "Big Yellow Taxi" received a fond reading,
followed by a song created as a result of a Disciples' Class at
the Duck United Methodist Church: "Follow Me" took its
inspiration from the Bible.
Weighty matters of life and death were assayed in Brenner's song
written from her perspective as a cancer survivor. "Dead Girl
Walking" belied its gloomy title; it was a jaunty celebration of
life.
A lighter take on disasters was "Hurricane Flood Tornado,"
inspired by a similar sequence of events surrounding the advent
of Hurricane Isabel on Ocracoke. Brenner strapped on a
combination banjo/mandolin called, yes, a banjolin. The song was
anchored by a bluesy banjolin riff played in unison with
Castro's dobro.
Hank William's famous "I'm So Lonesome I Could Cry" was given a
sympathetic reading, Castro providing a beautiful backup on the
lap steel guitar and warming himself up to the next number, Bob
Wills' "Panhandle Rag."
Castro did a fine impression of the whole Texas Playboys band on
that one.
As the light waned, Brenner said, "Think we have time for one
more? We could play for you until tomorrow...."
They finished up with
Gillian Welch and David Rawlings' "Acony Bell," on two
acoustic guitars, a pretty song that mingled the spirit of the
Carters' "Wildwood Flower" with the sound of a Doc and Merle
Watson duet from back in the day.
And, thanks in part to bands like Coyote, that day will live on.
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*** FOR IMMEDIATE RELEASE ***
COYOTE to perform at GoGirls Music Fest 2005 in
Raleigh!
GoGirlsMusicFest
2005 kicks off at Raleigh's Pour House Music Hall on October 8th
featuring local and regional acts Annette Warner, Lactose
Quervo, IlyAimy, Viva La Venus, Laura Blackley, COYOTE, Jess
Pironis, Someone's Sister and more! This year's festival is
benefiting The Lynn Cohen Foundation for Ovarian Cancer
Research. Door prizes will be given away all night long and
the first 100 people in the door will receive the 2005
GoGirls Music Compilation. All patrons will receive free
CD's grab bag style throughout the night courtesy A. Warner
Entertainment. Show starts at 9 pm. Doors open at 8 with a 10.00
cover. 1.00 per cover charge paid will also be designated to
Katrina relief in the name of GoGirlsMusicFest 2005.
About GoGirlsMusicFest
Madalyn Sklar, founder of GoGirlsMusic.com, created
GoGirlsMusicFest, a series of annual showcase events across the
United States. The festival promotes independent women in music
while supporting various charities which have included MusiCares,
Rock ‘n’ Roll Camp for Girls, American Liver Foundation, Nicole
Brown Charitable Foundation and more. Since 2000, over 85 all
volunteer run shows have taken place throughout the U.S.
About The Lynne Cohen Foundation for Ovarian Cancer Research
The Lynne Cohen Foundation is a unique 501(C)(3)nonprofit
organization that raises funds for cutting-edge medical research
in the women's healthcare field. Created in 1998 in memory of
Lynne Cohen by her three daughters (then in their twenties), The
Lynne Cohen Foundation is dedicated to finding an early
detection test for ovarian cancer, to funding improved clinical
treatments for the disease, and to developing and supporting
preventive care clinics for women with increased risk for
ovarian and/or breast cancer. In the past year, the Foundation
has finalized plans for two new preventive care programs: The
Lynne Cohen Breast Cancer Preventive Care Program at NYU Cancer
Institute, and The Lynne Cohen High Risk Screening & Prevention
Project for Ovarian and Breast Cancer at MD Anderson Cancer
Center in Houston, Texas. Including these programs, The Lynne
Cohen Foundation will have a total of four preventive care
clinics for women's cancers, and plans to open more. More info
at
www.lynnecohenfoundation.org
About GoGirlsMusic.com
GoGirls is the oldest and largest online community of
independent women musicians. Our mission is to support, promote
and empower our members! Since 1996, GoGirlsMusic.com has
dedicated itself to bringing together women in music from around
the country through networking and events. More info at
www.gogirlsmusic.com
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* * * F O R I M M E D I A T E R E L E A S E * * *
COYOTE releases “Home To Me”
Hometown sweethearts COYOTE, Marcy Brenner and Lou Castro, of Ocracoke Island, NC announce the release of their second CD entitled “Home To Me.” The collection debuts eight original songs and unique arrangements of material by Hank Williams, Peter Frampton, Greg Allman, Cheap Trick and The Beatles.
“(Home To Me) is a song of joy in response to a range of trials and triumphs. You can hear the wit and humor and love that suffuse all (of COYOTE’s) music. You get a sense of how much of (their) best music is born directly from personal, human experience. Each (song is) infused with the lively wisdom and warmth that characterize COYOTE. (They have) translated a range of experience into a musical expression of fear, courage and joy.” Charles Temple, Ocracoke Observer, May 9, 2005
COYOTE will debut “Home To Me” during the Ocrafolk Music & Storytelling Festival the first weekend of June 2005. They will appear Saturday, June 4th on the Howard Street Stage from 2:15 – 3:00 p.m. and host the “Late Night Jam” at the Deepwater Theater.
COYOTE co-produces and appears in the Outer Banks Opry, Fridays at 8:00 p.m. at the new First Flight High School Auditorium, Kill Devil Hills, from June 24th – August 12th. They also appear Wednesdays in the Ocrafolk Opry at Deepwater Theater, Ocracoke produced by Molasses Creek.
“Home To Me” is independently recorded, produced and published by COYOTE® and will be available at local record stores, www.soundsiderecords.com and www.amazon.com.
For more information about COYOTE visit their new website at www.coyotemusic.net.
For more information about their music and appearance schedule,
call 252-256-2081 or see performances.
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Review—Coyote, “Home to Me”
Charles Temple for the Ocracoke Observer
May 9, 2005
The first thing you’ll notice about Coyote’s new album, “Home to
Me,” is the sheer variety of musical styles and influences that
the band embraces. It starts with the Yiddish-influenced paean
to “Maestro,” full of dark minor chords and the wry humor and
humanity that evoke this mentor figure. With the fiddle,
mandolin and accordion, you’d swear you can hear the bouzouki
tuning up in the back. The next song, the title track, reminds
me of Paul Simon—playful, reflective and full of warmth.
These two songs are a pretty good introduction to
Coyote for several reasons. They demonstrate the wealth of
musical culture that has influenced them. You can also hear the
wit and humor and love that suffuse all their music. But most
importantly, you get a sense of how much of Coyote’s best music
is born directly from personal, human experience. This album is
completely aware of itself as a song of joy in response to a
range of trials and triumphs.
These most deeply personal and reflective songs are
interspersed with covers of various standards and personal
favorites of the band. Hank Williams’ “I’m So Lonesome I Could
Cry” may have been covered more often than “Happy Birthday,” but
it always seems to be worth recording again. Let me say a word
about songs like this. There are songs that embody an
experience so personal and universal that each reworking reminds
us of the universal while revealing something about the artist.
(Think of “Amazing Grace.”) I think the reason we come back to
these songs again and again is that they broaden the scope of
our experience while confirming the power of our own encounter
with that human universal. From the mournful Hank Williams, to
the rueful Allman Brothers, to the exuberant Beatles, Coyote
infuses each with the lively wisdom and warmth that characterize
them.
That reflection is a good introduction to the other class of
songs on the album, songs born out of the fear, hope and joy
connected to Marcy Brenner’s fight with breast cancer. What I
find most remarkable about this sort of confessional songwriting
is the utter honesty, sometimes bleak, sometimes gleeful.
Coyote has translated that range of experience into a musical
expression of fear, courage and joy.
For those who are new to the band, Coyote is the duo of Marcy
Brenner and Lou Castro. On earlier albums, Lou’s guitar work
has been prominently figured next to Marcy’s alto vocals and
mandolin. On this album, however, what I notice is not the
instrumentation so much as the songwriting, though Lou plays
with characteristic artistry. What strikes me most is each
song’s insistence on being true to its inspiration, to telling
honestly and bravely about the love, fear, tragedy or triumph
that called it into being.
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* * * F O R I M M E D I A T E R E L E A S E * * *
The OUTER BANKS OPRY announces THIRD SEASON with new day and venue! |